Legion website - the company that makes Stonehenge paper. Paper - White Stonehenge paper, 8x8 inches. The primary materials for this project are: You can join for 1 month and then cancel.įor more info and to join the community, go here: Ĭlick here to download the cherries photo reference for this project. I also made note of where the light and the shadow separations were within each element of the composition.įor the longer version of this video demonstration, join the Members Circle inside Monthly Sharpener! There’s no commitment or contract to stay. I started out by first determining where the light source is coming from and where the shadows are cast. This blender is one full, solid stick without any wood. I also enjoy using the Full Bright Blender by Caran D’Ache. The burnishing pencil I prefer most often is just using the last pencils in the colored pencil layering process. You may also choose to use another colored pencil as your burnisher. These are pencils without color and mostly contain just the wax and/or oil found in a colored pencil. Many pencil manufacturers make their own version of a burnishing pencil. There are many ways to get the job done when it comes to burnishing. If you like a more saturated, polished look to your finished piece then you may choose to burnish. There is not a requirement on when or reasons to burnish colored pencil artwork. So what about pencil burnishers and the different types there are to choose from? Reasons to Burnish Colored Pencil Artwork The point of the pencil makes a big difference in the layering and burnishing process. It can also leave white spots trapped under the multiple pencil layers. Heavy pressure (or burnishing) too earlier in the process can also cause your surface to look unfinished. Once you’ve flattened out the tooth (the surface texture) of the paper it can be difficult or impossible to add more layers. If this happens unintentionally, it is sometimes referred to as accidental burnishing.Īccidental burnishing can limit your options and can damage the drawing surface. This generally means the paper or surface you’re working on will not take more layers. In colored pencil, burnishing can also happen when you’ve applied so many pencil layers and used heavy enough pressure to smooth the surface of the paper. If you like the polished look, then use the burnishing technique after you’ve completely rendered. ![]() When drawing on a good cotton paper, like Stonehenge paper by Legion, you have the option of building up multiple layers. ![]() Just know that burnishing and layering go hand in hand. In colored pencil art, you can create the appearance of glossy or shiny objects by using this technique. The word actually comes from a word that means, “to brown”. You are smoothing the pencil layers.īurnishing, as a word, technically means to polish by rubbing. Which leads me to a popular question I often get… What exactly IS burnishing?Īn easy definition for burnishing is to press hard on your final layer to remove the white of the paper. These cherries have a very glossy type of skin I wanted to use the burnishing technique to be able to show this texture. Otherwise, simply freehand the cherries onto your drawing project and place them within the center (leaving enough margin around the edges to mat and frame the piece if you so choose). I like to use Prismacolor Col-erase pencils for the line drawing. I like the Tikteck A4 Ultra-thin Portable LED Light Box Tracer. This will generally shave off some of the upfront time in working out your line drawing. If you are brand new to art and don't feel comfortable creating your line drawing, feel free to use a ruler to get an exact placement for the elements in this piece.Īnother simple way to just get started with a line drawing is to use a lightbox to trace the outline of your reference. This created a pleasing variation in the lines and overall composition. ![]() I decided to draw it pointing to the left rather than the right. I noted one small change to make to the direction of one of the stems. In the case of the Cherries reference, I decided that there was enough there to work with to create my artwork. On the other hand, if there’s a significant amount of changes required, then I’ll take reference shots all over again, noting the changes I need to make. If there are simple elements in the piece that need to be changed I’ll do it. Before starting a new art piece, I ask myself the question: Will this reference help me make a compelling work of art?
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